2022
“Interview with Brunhild Ferrari” by Joeri Bruyninckx
Stürmische Ruhe by Brunhild Ferrari & Christoph Heemann
in It’s Psychedelic Baby Magazine, June 2022
2022
“Stürmische Ruhe de Brunhild Ferrari & Christoph Heemann”
in Souffle Continu, September 2022
<> download the article in French
2021
“Luc Ferrari: Cellule 75” by Jose Antonio Palafox
in Música en México, October 2021
<> read the article online in Spanish
<> download the article in Spanish
2021
“Perspectives: Wolfgang Meyer-Tormin / Luc Ferrari / Brunhild Ferrari” by Jean-Christoff Camps
in Revue & Corrigée, September 2021
2020
“Listening to Ferrari. Autoethnographic listening analysis of Les Archives Sauvées des Eaux and Les Arythmiques by Luc Ferrari” ::: “Ferrari hören. Auto-ethnographische Höranalysen von Luc Ferraris Les Archives Sauvées des Eaux und Les Arythmiques“ by Gaudenz Badrutt
Thesis – University of Bern ::: Dissertation – Universität Bern
<> read the thesis online in German
<> read the abstract online in German
<> download the thesis in German
2020
“Pprzyjemność słuchania” by Piotr Tkacz
z Brunhild Ferrari rozmawia Piotr Tkacz („Glissando”)
in Ruch Muzyczny, December 2020
<> read the article online in Polish
<> download the article in Polish
<> download the article in Polish (Journal paper release)
2020
“Analyse et représentation du fantastique dans les musiques anecdotiques de Luc Ferrari”
by Pierre Couprie
IReMus – Institut de Recherche en Musicologie
2020
“ La experiencia narrada como vehículo de construcción colectiva en la música
de Luc Ferrari” by Alejandro Reyna
in revista del ism #17, October 2020
<> read the article online in Spanish
<> download the article in Spanish
2020
“Jak zakomponować OCEAN niespokojny” by Piotr Tkacz
How to compose an OCEAN restless
Brunhild Meyer-Ferrari im Gespräch über Luc Ferraris “Hétérozygote“ und “Presque rien“
mit Christoph von Blumröder, Maximilian Domma, Marcus Erbe und Leopoldo Siano
in Ruch Muzyczny, September 2020
<> read the article online in Polish
<> download the article in Polish
<> download the article translated in English
2020
“ Anekdotische Musik” – mit einem Lächeln
Brunhild Meyer-Ferrari im Gespräch über Luc Ferraris “Hétérozygote“ und “Presque rien“
mit Christoph von Blumröder, Maximilian Domma, Marcus Erbe und Leopoldo Siano
in MusikTexte n°165, mai 2020
<> download the article in German
2020
“Der französische Komponist Luc Ferrari – Nachrichten aus der Wirklichkeit” by Thomas Groetz
In Deutschlandfunk Kultur
<> read the article online & listen to the show
2020
“Brunhild Ferrari/Jim O’Rourke: Le Piano Englouti” by Jon Dale
in Pitchfork
2019
“Reappraising Luc Ferrari and Éliane Radigue, Two Renegades of French Music” by Walker Downey
in ARTnews
2019
“Luc Ferrari, Complete Works” by Ryosuke Shiina
in Intoxicate, Tower Records Online, Japan
<> pdf 日本語
2019
“Celui à écouter les yeux fermés” (on Photophonie) by Olivier Lamm
in Libération
2019
“Sonic Adult” by David Stubbs
(Since moving to London at the beginning of the decade, Thurston Moore has found himself at the forefront of east London’s experimental music scene. From Luc Ferrari to Public Enemy, we enjoy a free-ranging chat.)
in Electronic Sound | the electronic music magazine – issue 52
2019
“How Electroacoustic Pioneer Luc Ferrari Captured the Social Life of Sound” by Nathan Geyer
in Frieze
2019
“From almost nothing to almost everything – Luc Ferrari” by Scanner
2019
“Luc Ferrari COMPLETE WORKS”
by Ecstatic Peace library
400 pages
edited by Eva Prinz, Catherine Marcangeli, Thurston Moore and Brunhild Ferrari
2018
“TAUTOLOGOS III”
Book by Marina Spreafico and Sergio Armaroli
photographies by Emanuela Giurano with the DVD Tautologos III performed by Francesca Gemmo,
Sergio Armaroli, Mario Mariotti, Steve Piccolo, Walter Prati, Gak Sato, Andrea Vigani et filmes by Selvafiorita
during the concert of March 10, 2018 at the Teatro Arsenale, Milan, Italy.
con-fine | edizioni di Arte e Cultura
2017
“Musiques dans les spasmes – Écrits de Luc Ferrari (1951-2005)”
Les presses du réel, domaine Arts de la scène & arts sonores, collection Arts sonores Hors série, 2017
interview with Luc Ferrari by Pierre-Yves Macé and David Sanson
edited by Brunhild Ferrari and Jérôme Hansen
preface by Jim O’Rourke, introduction by Brunhild Ferrari
French edition published in February 2017, 236 pages (color and b&w illustrations)
2017
“PHOTOGravuresMontages” by Luc & Brunhild Ferrari
Exhibition Catalogue PRESQUE RIEN | Quasi niente: Tautologie
ERRATUM about Sound | Visual | Text, Milano, Sept.-Oct. 2017
introduction by Elena Amodeo & Vittorio Schieroni
texts by Brunhild Ferrari, Sergio Armaroli, Steve Piccolo & Andrea Cernotto
2017
“On Luc Ferrari’s Complete Music for Films 1960-1984, via Sub Rosa“ by Bradford Bailey
in The Hum Blog
2017
“Histoires de Luc” by David Sanson
in Mouvement N° 89
2017
“Le mur du (vieux) çon #13: Histoires de Luc” by David Sanson
About “Musiques dans les spasmes”
Long version of the chronic published in Mouvement.net issued in N° 89
David Sanson’s blog
2017
“Hétérozygote / Petite symphonie intuitive pour un paysage de printemps” by Andy Beta
in Pitchfork
2017
“Je suis résolument ferrariste” by Jean-Jacques Birgé
in Miroir de drame / Mediapart
2017
“Ferrari Heteroclite and Obscure” by Grant Chu Covell
in La Folia
2016
“Les Contes Sentimentaux”
Texts of Sentimental Tales from Luc and Brunhild Ferrari
and other writings from Luc Ferrari
translated by Ryosuke Shiina and Haruka Tsutsui
with support from Doshisha Women’s College of Liberal Arts, Kyoto
ARTES publisher ュック・フェラーリ センチメンタル・テールズ
<> book presentation in Japanese
2016
“Correspondence with Pierre Schaeffer – 3 lettrers from Luc Ferrari”
in Tacet n°04 – Les sonorités de l’utopie, Les Presses du réel, 2016
<> book presentation
2015
in “The playlist: experimental – Edgard Varèse, William Basinski, Will Montgomery and more” by Philip Clark
Edgard Varèse : Les Grandes Répétitions / The Great Rehearsals
Luc Ferrari & Otomo Yoshihide: Archives Sauvées des Eaux
The Guardian – 2015
<> read the article online
2015
in “Les disques gâchent le paysage – John Cage, les années 1960 et l’enregistrement sonore” by David Grubbs
About “Presque rien” – pages 100 – 103
Les Presses du réel, 2015
<> book presentation
2015
“Die Welt in meinem Kopf – Zur Musik von Luc Ferrari” by Max Nyffeler
in Programme Ruhrtriennale – 2015
2015
in “Conversations” by John Palmer
Luc Ferrari in Freeing Music p. 47 – 65
Vision Editions 2015
2015
2014
“When thinking about Luc Ferrari I think about… Notes on Aesthetics and Music History” by Ricardo Eizirik
in Dissonance #126
2014
in “Records Ruin the Landscape” by David Grubbs
pages 14, 47, 54, 57, 60-65, 180nn49-50, 186n80
Duke University Press (2014)
2013
“Almost Nothing with Luc Ferrari” by Jacqueline Caux
Translated by Jérôme Hansen from “Presque rien avec Luc Ferrari”
Texts and interviews by Jacqueline Caux, published in 2001 by the Editions de la Main d’œuvre
published in 2013 by Errant Bodies – distributed in the USA
2013
Luc and Brunhild (EA Bucket 17.) by Grant Chu Covell
in La Folia
2012
“Meaning and fullness of meaning in Luc Ferrari’s Presque Rien N° 1” by Daniel Warner
in “Electroacoustic Music Studies Network, EMS-12
Meaning and Meaningfulness in Electroacoustic Music”, Stockholm, 2012
<> book presentation
2012
Musique et document sonore by Pierre-Yves Macé
Luc Ferrari in Enquête sur la phonographie documentaire dans les pratiques musicales contemporaines
Le Désir de “presque rien”, pages 107 – 113 / 145 – 149, Les Presses du réel, 2012
<> book presentation
2011
in “Le Temps de l’écoute – pratiques sonores et musicales sur la Côte d’Azur des années 1950 à nos jours”
Les Presses du réel
<> book presentation
2011
2011
“Presque rien, de l’anecdote au surréalisme” by Nicolas Marty
in Musurgia 2011/4 (Vol. XVIII), Université Paris-Sorbonne, 2011 (Paris-IV)
2011
“Vers une narratologie naturelle de la musique”
« Sonic identification and listening strategies – Towards a ‘Natural’ Narratology for Electroacoustic Musics »,
by Nicolas Marty, Université Paris Sorbonne (Paris IV)
in Cahiers de Narratologie – Analyse et théorie narratives – 2011
2010
in “The Bells Angels” N°2
containing the score of
– Monologos, for solo voice and electroacoustic device (1970)
– Concepts (3 excerpts of Jacqueline Caux’ book : Presque Rien avec Luc Ferrari)
nuitdencre galerie 64
2009
2009
in “Silence, les couleurs du prisme & la mécanique du temps qui passe” by Daniel Caux
Les Presque Rien – Et tournent les sons dans la garrigue
Éditions de l’Éclat, Paris – Pages 333-337 (2009)
2009
in “Sound Commitments Avant-garde Music and the Sixties” by Robert Adlington
Oxford University Press 2009
2009
“The politics of Presque rien” by Eric Drott
in “Sound Commitments” (Oxford University Press, 2009). p. 145-166.
2009
“In The Blink of An Ear: Toward a Non-Cochlear Sonic Art” by Seth Kim-Cohen
“Sound-Out-Of-Itself” p. 175-185 (Continuum, 2009)
2008
Luc Ferrari in “Le Clavecin autrement” by Elisabeth Chojnacka, S. 116-121
Verlag Michel de Maule, Paris
2007
“Komponował zawsze i wszędzie… nawet sibie samgo : Luc Ferrari” by Tatjana Böhme-Mehner
in Glisando # 14, Mai 2007 – 71 : Wrocław – Muzyka konkretna – p. 90 – 100
2007
“Presque rien avec Luc Ferrari” by Toshiharu Osato
in “nobody”, review, movie-music-literature critic – May-June 2007 N° 25, Japan – pages 47 – 57
2007
“Luc Ferrari – Portraits polychromes”
Published by INA/GRM, Collection directed by Evelyne Gayou.
New edition released during the premiere in Paris on May 11, 2007 – Morbido Symphonie
2007
“Sonopsys N° 4: Luc Ferrari”
Cahier Musique Concrète / Acousmatique by Florence Gonot & Alexandre Yterce – Edition Licences
Published for the premiere of Morbido Symphonie in Paris on May the 11th, 2007, art book with a CD
2006
“Presque Rien avec Luc Ferrari/Almost Nothing with Luc Ferrari” by Jacqueline Caux
Texts by Jacqueline Caux and discussions with Luc Ferrari.
Translated into Japanese by Ryosuke Shiina
Publisher: Gendai-shichô-shinsha (2006)
2006
“Salut Luc” by Carole Rieusseec, David Grubbs, Alessandro Bosetti, Li Ping Ting, Jean-Christophe Camps,
Jérôme Noetinger, Chantal Dumas, eRikm, Jean-Baptiste Favory
in Revue & Corrigée N° 67, March 2006
2006
“Random Notes – Luc Ferrari 1929-2005” by David Cotner
in Signal to noise, Winter 2006 issue # 40
2006
Böhme-Mehner : “Tatjana: Il composait toujours … jusqu’à lui-même.”
The composer, electroacoustician and film producer Luc Ferrari
in: Dissonanz/Dissonance 93 (März 2006), p. 4 – 9
2006
K.T. Goldbach : Akusmatisches und ökologisches Hören in Luc Ferraris Presque rien avec filles
(acousmatic and ecologic listening in Presque Rien avec Filles by Luc Ferrari)
in Zeitschrift der GMTH 3, H. 1
2005
“The lesson of freedom – Remembering Luc Ferrari (1929-2005)”
by John Palmer – Guilherme Vaz – Hildegard Westerkamp in Soundscape Vol. 6 Nr. 1
2005
Luc Ferrari in “La musique du XXe siècle” by Jean Noël von der Weid
Hachette. p. 359 – 363
2005
Luc Ferrari in MusikTexte Heft 107, November 2005 www.musiktexte.de
– “Immer unbürgerlich – Erinnerung an Luc” by Peter-Michael Hamel
– “Der Komponist, Hörspiel- und Filmemacher Luic Ferrari” by Tatjana Böhme-Mehner
– “Eine Alternative zur Opera – Luc Ferrari über Musiktheater” by Jacqueline Caux
– ”Klänge, Klänge… Die Presque Rien-Stücke von Luc Ferrari” by Daniel Teruggi
– “Die Dramatik des Lebens selbst – Luc Ferraris Cellule 75” by Monika Lichtenfeld
– “Was wäre, wenn ? Stravinsky trifft Beethoven in Luc Ferraris Studio” by Klaus Mehner
– “Die wahre oder unwahre Geschichte des « Cahier du Soir » (1991-1992)” by Luc Ferrari
– “Jedes Mal…”, “Die Stadt der Zukunft”, Autobiographien by Luc Ferrari
– “Nachruf – Engagierter Beobachter der Wirklichkeit. Luc Ferrari” by Daniel Caux
2005
Torsten Möller : “Zum Tod von Luc Ferrari”
in Dissonanz/Dissonance 92 (Dezember 2005), p. 43
2005
Torsten Möller : “Gehen´s ruhig weiter…” – Im Alter von 76 Jahren starb Luc Ferrari im italienischen Arezzo,
in NZfM 6., p. 42 -43
2005
Page of the score “Tautologies et Environs – Exploitation des Concepts N° 4“ 2000-2001
in SoundVisions p. 91, Pfau-Verlag, Saarbrücken, Editors Möller/Shim/Stäbler.
2005
“Luc Ferrari – Cycle des souvenirs – Exploitation des Concepts” from the “Diary in disorder or the pursuit of the daily life sounds”
in : Temporale – Edizioni Studio Dabbeni – Lugano – N° 60-61 – 2005
“Joueurs Aspendiens” a cura di Gabiele Bonomo, p. 56 – 60
2005
“L’Éloge de l‘Arythmie” by David Sanson & Pierre Yves Macé
Le hasard avec détermination à l’occasion de son soixante-quinzième anniversaire….
in Mouvement – Musique Action, Cahier Spécial du 18-29 mai 2005, p. 10 – 12
2005
“L’escalier des aveugles”: a Hörspiel from Luc Ferrari by Andrea Cohen
in “Les compositeurs et l’art radiophonique”(The composers and the radiophonic art), thesis of Doctorate, Sorbonne-Paris IV 2005
2005
“Presque Fin”: Ferrari Almost Final by Grant Chu Covell
in La Folia
2004
Luc Ferrari tasted by Dan Warburton “Invisible Jukebox”
in The Wire N° 242 April 2004, p. 20 – 23
2004
“La musique et son dehors – De la Musique Anecdotique à l’Arythmie” by David Sanson & Pierre Yves Macé
in Mouvement N° 30, p. 48 – 59
2004
in “Le mot dans la partition au XXe siècle” par Radosveta Kouzmanova Bruzaud
Thesis of Doctorate of Music and Musicology of the XXe century by Radosveta Kouzmanova Bruzaud
U.F.R. de Musique et Musicologie – Université de Paris IV – Sorbonne, Dec. 2004
2003
“Impro-Micro-Acoustique” by Noël Akchoté
in Skug N° 57 – Autria, p. 49
2003
Torsten Möller: Luc Ferrari
in Komponisten der Gegenwart, (composers of today) 26. Subsequent edition 12/03
2003
Luc Ferrari, Head and Tail by Grant Chu Covell
in La Folia
2002
Luc Ferrari in “Techno Rebelle, Un siècle de musiques électroniques”
by Ariel Kyrou, éditions Denoël X-TREME, pages 26 – 42
2002
“Cinéma pour les oreilles” about Almost Nothing with Luc Ferrari by Jacqueline Caux
in Les Inrockuptibles – August 14 to 20, 2002 N° 351, p. 58 – 59
2002
“Memory as non-Music“ by Ryosuke Shiina
in « Bulletin of Institute for Interdisciplinary Studies of Culture » Vol.19
Doshisha Women’s College, Japan, 03/31/2002
2002
“Presque Rien avec Luc Ferrari” (Almost Nothing with Luc Ferrari) by Jacqueline Caux
260 pages with photographs. Texts by and discussions with Jacqueline Caux
Interviews & Texts and Autobiographies by Luc Ferrari
Composed of interviews, unpublished texts and imaginary autobiographies of Luc Ferrari
This book allows us to follow the path of the musician for the last forty years.
Publication: January 2001 Editions Main d’œuvre, Nice
2001
in “Die Kunst der fixierten Klänge” by Jean-Noël von der Weid,
in Die Musik des 20. Jahrhunderts Insel-Verlag, Leipzig, p. 332 – 335
2001
Luc Ferrari – “Portraits polychromes”
Co-edition Cdmc, Ina Groupe Edition-Documentation 2001-06-13
2000
Luc Ferrari – Remarks collected by Ryosuke Shiina
in Poetry and criticism : Eureka 5 / 2000, p. 39 – 51
2000
in “Le concert : Enjeux, fonctions, modalités”
“Jeu de société ou la theâtralisation du concert” by Radosveta Kouzmanova Bruzaud – Harmattan – Logique Sociale, p. 137 – 174
2000
Karl-Sczuka-Preis 1972, p. 99-101 Portraitspiel
Karl-Sczuka-Preis 1988, p. 184-190 Verirrt. Ein Labyrinth
in Akustische Spielformen SWR Schriftenreihe « Grundlagen 1 » Spring 2000
2000
About the CD release: “Chansons pour le corps et Et si tout entière maintenant” by Ryosuke Shiina
in Musée – sacrifice fly – Tower records – Vol. 23, Japan, January, p. 93 – 107
2000
Luc Ferrari in conversation with John Palmer
in SAN Journal of Electroacoustic Music, London, p. 36 – 44
2000
Early Modulations: Vintage Volts Tail by Grant Chu Covell
in La Folia
1999
“Luc Ferrari’s Art of Tautology / Vous plairait-il de tautologuer avec moi?” (Would you like to tautologize with me ?)
Interview by Jacqueline Caux – French / English
in Art Press International, Nr. 252 – December 1999, p. 49 – 52
<> download the article
1999
“Lots of Luc Ferrari” by John Palmer
in 20th Century Music, San Anselmo CA., USA, December, p. 3 – 10
1999
“Far-West News”
in Soundscapes – VPRO Hilversum – NL, November 1999, p. 20 – 21
1999
Luc Ferrari concrete chameleon – “Serial deviant” by Dan Warburton
WIRE, Adventures in Modern Music
in The Wire – April, p. 26 – 28
1999
Luc Ferrari in : “La notation verbale au service du rituel”
(the verbal notation with the service of the ritual)
in Colloque “Musique et Rites“ 17-19 May, 1999 by Radosveta Kouzmanova Bruzaud
1998
1998
“Interview with an Intimate Iconoclast” by Brigitte Robindoré
in Computer Music Journal, Vol. 22, Nr. 3 – Fall, p. 8 – 16
<> download the article
1998
Luc Ferrari in Aspects de la notation verbale
Essai de taxinomie des propositions verbales des années soixante et soixante-dix
(Essay on taxonomy of the verbal proposals of the sixities and seventies)
Memory of the DEA by Radosveta Kouzmanova Bruzaud
U.F.R. de Musique ety Musicologie du XXe siècle – Université de Paris IV-Sorbonne, Oct. 1998
1998
“Minimal or not”, interview by Karen Tanaka in Musée – a shape of miles –
Tower records – Vol. 12, Japan, March 1998, p. 14
1997
Luc Ferrari interview by Haruyuki Suzuki in Eigageijutsu, N° 383, Japan 1997
1997
Luc Ferrari in L’Art des sons fixés, (The art of the fixed sounds) by Jean-Noël von der Weid,
in La musique du XXe siècle Editions Hachette (Pluriel), p. 221 – 223
1997
Sandeep Bhagwati: Zwei französische Komponisten (Georges Aperghis und Luc Ferrari)
in Jahrbuch der Bayrischen Akademie der Schönen Künste 11. 1997, p. 391 – 399
1996
“I was running in so many different directions / Je courais tant de buts divers…”
Contemporary music review Vol. 15 in G+B Arts International, London, p. 95 – 104
1996
Luc Ferrari in : “Recherches sur la transformation du temps musiocal sous l’angle de la philosophie japonaise”
(Research on the transformation of musical time under the angle of Japanese philosophy) by Ryôsuke Shiina, Université de Lille III
1996
Discussion with Luc Ferrari by Danielle Cohen-Levinas in La Règle du Jeu – 1996
1996
Discussion with Luc Ferrari by Christian Zanési in Ars Sonora, N° 3, March 1996, p. 7 – 15
<> download the article
1995
“Presque rien” by Jérôme Noetinger in Revue et Corrigé, N° 26, December 1995, p. 35
1993
“Analyse – Journal” (Analysis Diary) by Luc Ferrari in Musiques d’Aujourd’hui
Conseil Général de la Creuse – December 1993, p. 69 – 77
1993
“Ça frotte” (It brushes) by Luc Ferrari in L’Evidence, N° 2, Fall 1993, p. 24 – 27
1990
“Les compositeurs et la Rhétorique” (Composers and rhetoric)
– discussion between François Delalande and Luc Ferrari in 20 Analyse Musicale, Paris June 1990, p. 47 – 49
1990
Interview by Stephane Ollivier
in Revue et Corrigée, N° 5, Spring 1990, p. 4 – 7
1989
Hörspiel – Création radiophonique “Je me suis perdu – Labyrinthe portrait from Luc Ferrari” by Michel Dumont
in magazine kanal, N° 42, April 1989, p. 60 – 61
1986
“Moderato ma non troppo” by P. Minod
in Restons Simples (Creativ Media), N° 2, January 1986, p. 68 – 69
1985
“Vom Vergnügen an der Lust Histoire du plaisir et de la désolation”
(About the pleasure of the desire – Histoire du plaisir et de la désolation) by Klaus Hinrich Stahmer
in Melos, N° 4, 1985, p. 19 – 33
1983
“Société 1 partition-texte” in Chemin de Ronde, Vol. 3, 1983
1983
“La musique est aussi parole” / “The music is also word” – Journal intime (diary),
interview by Michel Giroud in Canal, N° 54, November 1983, p. 19
1981
Discussion with Luc Ferrari by Denis Levaillant
in L’Improvisation Musicale, Editions J.C. Lattès 1981, p. 4 – 7
1981
Discussion with Luc Ferrari – Remarks collected by Francis Hofstein
Jazz magazine – 1981, p. 26 – 29
1981
“En attendant Enée” in Cahier de l’animation musicale,
N° 19, June 1981, p. 11 – 12
1979
“cultures savantes et cultures populaires” / “Erudite cultures and popular cultures”,
Interview by Catherine Millet in Art Press International, N° 26, March 1979, p. 18
1978
Prefacio a… y reflexion sobre… por Luc Ferrari
Un pueblo numero 11350 por Luc Ferrari in Arte Nuevo 1,
Universidad Veracruzana 1978, p. 10 – 13
1978
François-Bernard Mâche: Les mal entendus. Composers of the 70s
in Revue musicale N° 314, 1978, p. 65 – 69
1977
Reflections by Luc Ferrari on “La Musique du Futur a-t-elle un avenir?”
(“Does the music of the future have a future ?”)
in Cahiers Recherche/Musique, INA-GRM, 1977, p. 77 – 79
1977
Luc Ferrari Discussion with David Jisse
in Unison N° 3 Paris , May 1977, p. 14 – 16
1977
“Für wen komponieren Sie eigentlich?” (For whom do you actually compose?) by Hansjörg Pauli
Reproduction in Beiträge zur Musikwissenschaft, Heft 4, 1977, p. 260 – 269
1975
“Allo, ici la terre…” (Hello, the Earth is speaking) by Luc Ferrari
in Art Vivant – La Mort, (The Death) N° 54, January 1975, p. 22 – 23
1974
“Interrupteur, Tautologos 3”
Ensemble Instrumental de Musique Contemporaine de Paris, Konstantin Simonovitsch by Klaus Stahmer
in Melos Heft IV, July-August 1974, p. 242 – 244
1974
Tibor Kneif : “Typen der Entsprachlichung in der neuen Musik”
(“Types of the Entsprachlichung in the new music”) in Stephan, Rudolf (Hg.): About music and language.
Seven attempts about the newer vocal music, Mainz (Schottt) 1974, p. 30 – 31
1973
“Les Danses Organiques” – remarks collected by Daniel Caux
in Art Vivant – Le Corps (The body) 2, N° 41, July 1973, p. 30 – 32
1972
Discussion with Luc Ferrari by François-Bernard Mâche
in Nouvelle Revue Française N° 232, 1972
1971
“Für wen komponieren Sie eigentlich?” (For whom do you actually compose ?) by Hansjörg Pauli
Ed. S. Fischer – Frankfurt 1971, p. 37 – 59
1970
Interview by Denys Lémery,
Actuel N° 12, 1970, p. 14 – 18
1967
“Luc Ferrari” by Pierre Schaeffer
in La Musique Concrète – Que sais-je, Presses Universitaires de France, Paris 1967, p. 108 – 113
1959
Luc Ferrari : “Les étapes de la vision / les étapes de la production”
(“Stages of the vision / Stages of the production”)
in Expériences musicales – Concrete music – exotic Electronics Revue Musicale N° 244, Paris 1959, p. 8 – 10