(*) This sign indicates any more playable works or only with difficulty or which are no more advisable or should have a rest. (Brunhild Meyer-Ferrari)



(*) Monologos I (September 1970)

For voice solo and electroacoustic device (undefined duration)

Premiered : Théâtre Récamier Paris, 1973 by Elise Ross

– Can be possibly sung by a man singer, but I prefer women.

– Can be possibly sung by several, but finally why put several people where only one is enough.

Therefore, Monologos I is composed for a soloist singer who is accompanied by a tambourine.

Score available : Brunhild Ferrari


(*) Le dispositif et son disnégatif (1969-1970)

Text score

Premiered : Radio Stockholm, 1970

«How the reading of a Score can lead the musicians to reflect on the problems of the hierarchy, of esthetics, taken as social constraints. Questioning on the personality cult. If this reflection could be present during the sound action, that would be really great. These two scores form also part of a special period. They are located in the spirit of “happening” and can be regarded as paleontological documents.»


Presque rien ou Le lever du jour au bord de la mer (1967-1970) — 20′

The day rise by the sea

Stereo tape

«After the total disappearance of the abstract sounds, one can regard this piece as a sound slide and the result of a whole evolution. Most faithful possible realistic restitution of a village of fishermen awaking. First idea of the minimalism.»

Record LP Deutsche Gramophone 2 561 041, Coll. Avant-Garde (vinyl)

MUSIDISC  245172  – 1995


Promenade Musique N° 2 (1970) — final version

For at least 11 instruments
(Flute, oboe, clarinet in b, bass clarinet, horn, trumpet, tenor trombone, 2 violins, 2 viola)
Score available : Brunhild Ferrari


Tautologos III (1970) — ca. 20′

Realization No. 4

For 11 performers

(Flute, oboe, clarinet, trumpet, trombone, viola, violoncello, double bass, electric guitar, electric organ, vibraphone).

Premiered: EIMCP, Conductor: Konstantin Simonovic

«To illustrate the text and like possible example of realization in the form of tape (N° 3) or of traditional Score (No. 4)»

Score version N° 4 : Moeck Editions


Realization No. 3

Record EMI C 061 11133  (vinyl)

CD Blue Chopsticks USA BC1